Lifestyle
M.I.G. has always been closer to a cultural space than a conventional shop, and our lifestyle selection is where that shows most. Alongside our clothing, we curate objects, accessories, and pieces for living that share the same sensibility: made well, made to last, and worth keeping. Hand-finished sterling silver jewelry arrives as sculptural work: rings, bracelets, and necklaces in electroformed and polished finishes that catch light with intention. Mixed metals and stone materials offer weight and presence. These are pieces meant to be worn repeatedly, to develop patina through use, to become more personal over time. Fragrance is approached as editorial. Eau de parfums in carefully composed ranges, bergamot, ink, rain cloud, smoke, salt, orange leaf, sit alongside incense crafted with precision and room sprays that carry the same rigor as the clothing. Scent becomes a deliberate choice rather than an afterthought. Home objects bridge function and art. Wooden coasters in natural, lacquered, and tile configurations. Pillow covers in deep tones with considered detail. Fleece blankets in lightweight Austrian wool, naturally temperature-regulating, settling into living with slow familiarity. Design pieces that bring Barcelona and international perspectives into domestic space, lamps, storage boxes, utilitarian objects with presence. Leather goods, record crates, audio systems, and tracking technology all share a refusal to separate beauty from function. Every object is chosen for how it sits in a room, ages with use, and earns its place rather than filling space. Books form a rotating, curated selection for the reading shelf. Across everything: no filler. Only pieces chosen for how they work in daily life and improve through time.
Alvaro Siza - 1954-1988 (Architecture & Urbanism Extra Edition Ser.)
Anish Kapoor- Gallerie dell'Accademia di Venezia & Palazzo Manfrin
Andy Warhol - Photographs (Hara Museum of Modern Art)
Robert Mapplethorpe - Certain People: A Book of Portraits
Walter De Maria. 1999 Milano 2000. Fondazione Prada, 2002.
Laurie Anderson. Empty Places. Schirmer/Mosel, 1994.